In Contemplation for Obsolete Objects, Grassi taps into memories of spaces and objects that seem to be unfolding and animated yet are no longer used for their function. Files, folders, clunky computers, fax machines and office cubicles, objects traditionally associated with pink collar work, become charged with presence and memory. The series was exhibited in solo shows at Harcourt House in Edmonton, the Stewart Hall Art Gallery in pointe Claire, Quebec and at Patrick Mikhail Gallery in Montreal.
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